Yesterday I almost cried because my baby cousin ran up to my grandmother and was like. “Ha! Buhbuh ba ha.” And she said okay you want to show me something? And he led her over to the garden patch and crouched down and pointed at rocks and plants and was like. “Ah. Habah ba ah” as she listened attentively.
And I was like that happened 1,000 years ago. Probably 10,000 years ago. Maybe 100,000. The youngest human in a group went to the oldest one and said to the best of their ability “come see.” And the adult went.
this is such a beautiful post it doesn’t need my dumb addition, but i can’t fit this in the tags. at the archaeological site Dolni Vestonice in the Czech Republic there are a bunch of really really fascinating finds and I’m only going to tell you about one tiny detail of one of the most interesting sites in the world.
at this settlement 20-30,000 years ago there lived a person who appears to have been a sort of sorcerer-grandmother-ceramics artist and her workshop was preserved very well in the sedimentary layers. her hut where she had her kilns was full of little sculptures of animals and people that seem to have been made to explode in the kiln on purpose, we’re not sure why but nevermind. the relevant detail is that when you sculpt something with your hands and then fire it, your fingerprints can be preserved in the surface of the clay forever, so we have fingerprints of ancient ceramics artists that have survived for tens of thousands of years. and one of the major artifacts from Dolni Vestonice has a fingerprint on it that is so small it could only have belonged to a child
so this shaman-grandmother-sculptor, who was buried with her pet fox by the way, had children running through her workshop and touching everything she made while she was at her mysterious work of creating the world’s oldest ceramics, none of which appear to be bowls, bottles, pots, or any “useful” items at all, but rather a collection of animal and human and sometimes anthropomorphic figures, some of which appear to be self portraits. exactly the same as sandersstudios’ grandmother being led to the garden by an excited baby. we’ve all been the same for 30,000 years.
We really, as a society, need to stop treating sex like a rite of passage. It hurts me so much to see people (especially high schoolers) embarrassed to say they haven’t had sex.
For some people it may take time, for others that time never comes, or they simply aren’t interested. Stop pushing your values or expectations on other people, especially those who are developing into adulthood. Stop shaming people over something that’s not your business.
Tired of people comparing every forbidden love story to Romeo and Juliet, especially ones about class or racial divides. It’s important to how the story works that the Capulets and Montagues are alike in dignity and that the feud is baseless and petty on both sides. If the Capulets had spent centuries systematically disenfranchising the Montagues, it wouldn’t be Romeo and Juliet. The play relies on both families facing roughly equal losses and being able to make roughly equal apologies and roughly equal reparations. Romeo and Juliet is a play about two kids who weren’t allowed to love in a world full of senseless hatred, and if you give one side a valid reason to hate the other—if either the Capulets or the Montagues are right—it stops being that and starts implying that the opressed have as much to do with the environment of hatred as their opressors do
I'm totally in support of the writers in theory but I'm trying to understand more of what you're fighting for because I've seen some people on twitter claim writers make more money a week than most of us make in a month so I'm trying to understand what the issue is. Also if that info is accurate. This is a genuine question. Not trying to have a "gotcha moment". I really want to hear from a writer.
people have always had wild misconceptions about how much a writer earns because of their lack of understanding of how the industry actually works. there’s so many posts about how “you guys make 5k a week. what more do you want?!” yeah…let’s do some math on that.
5k a week for 14 weeks (and that’s a long room. a lot of rooms these days are 8-10 weeks. those are the dreaded mini-rooms we’re trying to kill) is $70,000. for roughly three months of work. you’d think we’re cooking with gas…BUT HOLD UP. that’s gross! let’s see everything that has to come out of that check:
10% to our agent
10% to our manager
5% to our entertainment attorney
5% to our business manager (not everyone has one but a lot of us do. i do, so that’s literally 30% immediately off the top of every check)
most of these breakdowns ive seen downplay taxes severely. someone made one that says writers pay 5% in taxes and i would like to ask them “in what universe?”. that doesn’t even cover state taxes. the way taxes work in the industry is really complicated, but the short of it is most of us have companies for tax reasons so we aren’t taxed like people on w2s/1099. if we did we’d be even more fucked. basically every production hires a writer’s company instead of the writer as an individual. so they engage our companies for our services and then at the end of the year we (the company) pay taxes as corporations or llcs (depending on what the writer chose to go with). my company is registered as a “corporation” so let’s go with those rates. california’s corporate rate is 9% and the federal corporate tax rate is 21%. there’s other expenses with running a business like fees and other shit so my business managers/accountants/bookkeepers have recommended i save between 35-40% of everything i make for when tax season comes.
you see where the math is at already??? 25-30% in commissions and then 35-40% in taxes. on the lower end you’re at THE VERY LEAST looking at 60% of that check gone. 70% worst case scenario. suddenly those $70,000 people claim we make are actually down to $28,000 as the take home pay. and that’s if you’re only losing 60%. it goes down to $21,000 if it’s 70%.
lets pretend you worked a long 14 week room (that’s the longest room ive ever worked btw) and let’s also be generous and say you only have 60% in expenses so the take home is $28,000. average rent in los angeles is around $2,800-$3,000. if you’re paying $2,800 in rent that means you need AT LEAST $4,000 a month to have a semi decent life since you need to also cover groceries, gas, medical expenses, toiletries, phone, internet, utilities, rental and car insurances, car payments, student loan payments, etc etc etc. and again, this is los angeles. everything is more expensive so you’re living BARE BONES on 4k. and these are numbers as a single person. im not even taking having children into account. so those $28,000 you take home might cover your life for 6-7 months. 3 of which you’re in the room working. the reality is that once that room ends, you might not work in a room again for 6-9-12 months (i have friends whose last jobs were over 18 months ago) and you now only have about 3 months left of savings to hold you over. we have to make that money stretch while we do all the endless free development we do for studios and until we get our next paying job. so…3 months left of enough money to cover your expenses -> possible 9 months of not having a job. this is how writers end up on food stamps or applying to work at target.
this is why we’re fighting for better rates and better residuals. residuals were a thing writers used to rely on to get them through the unemployment periods. residual checks have gone down from 20k to $0.03 cents. im not joking.
they’ve decimated our regular pay and then destroyed residuals. we have nothing left. so don’t believe it when they tell you writers are being greedy. writers are simply fighting to be able to make a middle class living. we’re not asking them to become poor for our sake. we’re asking for raises that amount to 2% of their profit. TWO PERCENT. this is a fight for writing even being a career in five years instead of something you do on the side while you work retail to pay your bills. if you think shows are bad now imagine when your writer has to do it as a hobby because they need a real job to pay their bills and support a family. (which none of us can currently afford to have btw)
support writers. stop being bootlickers for billion dollar corporations. stop caring about fictional people more than you care about the real people that write them. if we don’t win this fight it truly is game over. the industry as you know it is gone.
